On She Works Hard For The Money being released on Mercury:
"That came out of a lawsuit between Casablanca and myself when I left the label. At the time, I was owed large sums of money (by Casablanca) and the only way to get it was to sue. At about the same time Polygram had just purchased Casablanca, and unbeknownst to them, bought into this lawsuit as well. It wasn't their fault, and they were upset that I wasn't going to be on the label anymore. As part of the settlement, we agreed to give Polygram one more album."
– Donna Summer Dance Music Report,
c 1990
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"To everyone's surprise [the album] became a big hit. The song became an anthem for many working-class people, and the single shot up the charts. Because no one had anticipated its success, it threw everyone at both labels into a king-sized tizzy! Polygram was upset because I was back on top and they had let me out of my contract. That meant whatever follow-up was to he had, it wasn't going to be for them. They had a Top Ten lame duck on their hands.
"But Geffen Records was also upset because I had a hit with my old label. They felt I should have saved that material for them, especially after it went on to become one of the biggest albums I'd had in a long time."
- Donna Summer, Ordinary Girl (Villard 2003)
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"As a result of [working with] Chris*, I got a call from her. She loved
Sailing. She said, 'I've got to have you produce this record.' It was a very fun album to make. It was real spontaneous and She Works Hard For The Money
was the last song written."
– Michael Omartian, Billboard September 3, 1994
*Christopher Cross
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"Michael
[Omartian] was a godsend. He was like Giorgio [Moroder]
– mild-tempered, incredibly creative. I mean the guy could play his bazookas off… He does whatever he does to perfection."
– Donna Summer, Billboard September 3,
1994
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That’s how the LP unrolls; sultry rock one minute, AOR pop the next, and Summer overpowering all the way through.
- K.W. Record World, 1983
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"Stop Look & Listen
combines a lilting catch-phrase melody with a sizzling salsa rhythm; He's A Rebel melds the defiant sentiments of the old Crystals hit with swirling, chiaroscuro textures more suggestive of new wave bands like the Motels. Backed by Jamaican sensations Musical Youth, Unconditional Love is a charming paean to the healing powers of the spirit, while the LP's title track, with its rolling pop-disco beat, lets you know Donna hasn't completely abandoned her considerably more profane roots.
Yet for all its variety, She Works Hard sounds every bit as cohesive as, say, Michael Jackson's Thriller, a tribute to Summer's elastic vocal range and the strength of her latest compositions."
- Mark Rowland, Playgirl November 1983
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"The title song by Donna and producer Michael Omartian was
inspired by washroom attendant Onetta Johnson, whom Summer encountered
at Chasen's restaurant in Los Angeles. It is infectious, and Donna simmers
down nicely for a romantic duet with Matthew Ward, Love Has a Mind of Its
Own."
-
People Weekly, August 15, 1983
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"The title song, She Works Hard For The Money, was based partly on my ongoing fascination with the working woman. I saw it as a follow-up to Bad Girls that also offered some insight as to how I was feeling about the whole music industry."
- Donna Summer, Ordinary Girl (Villard, 2003)
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"Like
[Diana] Ross, Summer is able to be all things to all people, and the success of this album’s title track on both the R&B and pop charts attests to her accomplishments. That more than five minutes long number is everything a pop song should be. Written by Summer and producer/keyboardist Michael Omartian, it has a 100-megaton strong beat, a hook more infectious than beri-beri, goosed by Gary Herbig’s sax break and more synthesizer programming time than is used by many small countries for their software.
- K.W. Record World, 1983
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BONUS AUDIO CLIP: Donna talking about the inspiration for She Works Hard For The Money on You Write The Songs in 1986. |
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BONUS AUDIO CLIP: Onetta and Donna telling the Hard For The Money
story. This clips comes from the movie Off The Menu: The Last Days Of Chasens (1997). The women were filmed separately and then the footage was cut together - the first person you hear will be Onetta. |
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BONUS AUDIO CLIP: Donna promoting She Works Hard For The Money
on The Tonight Show with Johnny Carson in 1983. |
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"The
most obvious hit here is the title track, a driving Giorgio Moroder-style riff
that was eclipsed this summer only by Moroder's own Flashdance...What a
Feeling."
- Michael Hill, Rolling Stone, September 29, 1983
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Donna Summer's She Works Hard For The Money video is exceptional, a notable contrast to the film school outtakes that currently clog the airwaves. The song itself is pleasant dance music, nothing more, but the video vividly portrays the daily lives of a waitress and sweatshop worker, both on the job and single-handedly raising their kids at home. There is nothing in so-called women's music, from Helen Reddy's
I Am Woman to the antimale drivel of the Olivia Records axis that approaches the impact of this video.
-
Rock & Roll Confidential, 1983
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"Summer is at her best when she keeps us guessing. He's a Rebel,
with its West Side Story sense of drama, could be about James Dean, not
Jesus Christ; the arrangement of Stop, Look & Listen
is jauntily upbeat,
despite the fact that Summer is actually trying to rewrite Sounds of Silence
(with lines like 'The prophets of the times are written on streetcar walls')."
- Michael Hill, Rolling Stone, September 29, 1983
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Unconditional Love, backed by Musical Youth, is a rhythmically powerful piece of pseudo-reggae that’s at least as strong as songs done in that style by Grace Jones, while Love Has A Mind Of It’s Own a brooding, romantic duet with Matthew Ward, is a sort of a Summer response to the Ross-Lionel Richie duet of Endless Love. Guitarist Marty Walsh and the horn section are featured prominently on Woman, a sledgehammer rocker, while Ray Parker Jr.'s rhythm guitar and presence gives that tune the same lilt that he brings to his own sessions.
- K.W. Record World, 1983
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"But
Unconditional Love could be a sleeper--it's a collaboration with Musical Youth that's so utterly charming you scarcely wonder what
Summer is doing preaching about Jah."
- Michael Hill, Rolling Stone, September 29, 1983
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