"Giorgio Moroder had offered [The Hostage]
to virtually every other record company and couldn't get a deal. It was later I found out that we really were their last chance. However, I immediately believed in the recording, and we made a deal for three singles with additional album options."
- Peter Kirsten (owner of Global Records) Billboard, September 3, 1994 |
"I signed Donna Summer because I was genuinely optimistic about her prospects and reckoned I could almost smell success for [The Hostage]. You don't always sense these things right away, but this time everything worked out. I had this feeling of excitement and those butterflies in the stomach, like when you meet a beautiful woman for the first time."
- Peter Kirsten (owner of Global Records) Billboard, September 3, 1994 |
"Donna performed The Hostage on this comedy show Disco Corner, hosted by Sjef van Oekel. While she was singing, Sjef played out a funny sketch and she had to try and keep a straight face. This sketch went down so well that it was repeated several times by special request, and the record started selling and eventually went on to the No. 2 spot on the German national chart."
- Tony Berk (Basart Records) Billboard, September 3, 1994 |
"The first time I heard The Hostage, I got goose bumps. I really believed in that song, so I started working on the record. My first response was from Radio Veronica. We visited every single radio DJ in Holland and did jingles like, 'Hi, this is Donna Summer...' That first comedy TV showcase actually proved she had acting ability, too."
- Ton van den Bremer (Basart Records) Billboard, September 3, 1994 |
"I had a hit record with [Giorgio Moroder and Pete Bellotte] in Holland and France. I hadn't even signed a contract. They released it, it was on the market, it was on the charts, and I hadn't even signed a contract. I did it as a demo. Now this is a record you don't even know. It's called The Hostage."
- Donna Summer, Saturday Night Special, August 1, 1981 |
"(Laughing) Oh god, was [The Hostage]
released here? I'd have to take someone to court over that! It was an awful
song... one of my first Giorgio Moroder productions written for the European market where it was a huge (and controversial) hit despite the fact that it was banned in many places."
- Donna Summer, Dance Music Report April 26, 1990
|
"With the second single, Lady Of The Night, she broke in Belgium, and we started doing clubs so she could make some money. Every Friday afternoon, I would leave the office to pick her up at the airport in Brussels. I was the chauffeur, roadie, bodyguard and agent all in one. We'd do club performances all weekend, then she'd fly back to Munich and I'd drive home, completely exhausted."
- Ton van den Bremer (Basart Records) Billboard, September 3, 1994 |