Donna Summer's disco- disc, A Love Trilogy
(Casablanca/5004), goes several steps beyond the "mindless" quality critics customarily attack. The album is almost a "concept" LP, with some of the most engaging music rendered by one of the most engaging singers in the business.
- Chris Huizenga After Dark, 1976
|
A Love Trilogy is not a great album, but it does represent a step forward for Summer as an artist. Her performances show that there is more to her than was apparent at first hearing.
-
Goldmine, May 1, 1992
|
To be totally honest, I love every and each second of this album. It's a masterpiece to me. Every song has its atmosphere. Everything on it sends me to another world. I really love it.
- Sandro (Forever Donna webmaster) ) on the Forever Donna message board, September 30, 2004
|
The breathy, spoken-word Prelude To Love is basically a reprise of Love To Love You, Baby, but it's a much better cut – more torrid, more believable, not drawn out too long. It segues into a superb remake of Barry Manilow's 1975 hit Could It Be Magic. The tune was a personal favorite of Summer's at the time and she asked Moroder to let her record it.
-
Goldmine, May 1, 1992
|
Manilow's composition benefits from an inspired uptempo arrangement by Thor Baldursson, and Summer's vocal puts it across far better than Manilow's ever could; her singing grows bolder and more fiery as the song progresses. An excellent disco performance, Summer's Could It Be Magic has come to be regarded as one of the classic disco remakes of the 70s. It would later be featured in the movie Looking For Mr. Goodbar.
-
Goldmine, May 1, 1992
|
A Love Trilogy also included Come With Me, a genuinely exciting disco song with a strong R&B flavor. An arresting arrangement, gorgeous vocals, and an irresistible counter chorus combined for a very commercial track, which made it puzzling as to why it was not released as a single.
- Josiah Howard, Donna Summer: Her Life And Music (Tiny Ripple, 2003)
|
…Come To Me [sic] [is a] steamy samba which Summer sings in a husky voice. Her delivery conveys lust most convincingly, and as on Prelude To Love, it demonstrates that she is more capable of selling an erotic song than Love To Love You would suggest.
-
Goldmine, May 1, 1992
|